The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 13
... English it might be thought that there was nothing more to say about the code than that it was the English language . However , of the many variants of English only one is usually represented in print and the narrative of fiction as ...
... English it might be thought that there was nothing more to say about the code than that it was the English language . However , of the many variants of English only one is usually represented in print and the narrative of fiction as ...
Page 25
... English writers in this genre is the condition of women in England . Relationships between men and women are conducted everywhere with a boundless sensitivity and delicacy . ( De la Littérature , vol . 4 , p . 181 , my translation ) and ...
... English writers in this genre is the condition of women in England . Relationships between men and women are conducted everywhere with a boundless sensitivity and delicacy . ( De la Littérature , vol . 4 , p . 181 , my translation ) and ...
Page 98
... English and Lowland Scots readership . Although Waverley's English origin allows him to function in the novel as a ' historical tourist ' who observes and is impressed by the social and cultural peculiarities of the Highlands he is not ...
... English and Lowland Scots readership . Although Waverley's English origin allows him to function in the novel as a ' historical tourist ' who observes and is impressed by the social and cultural peculiarities of the Highlands he is not ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers