The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 114
... Oliver Twist which owes something to the ' Newgate ' genre , named after the notorious London prison , and held ( though sometimes wrongly ) to romanticise crime and criminals . The ' Newgate ' novel created a stir in the 1830s with the ...
... Oliver Twist which owes something to the ' Newgate ' genre , named after the notorious London prison , and held ( though sometimes wrongly ) to romanticise crime and criminals . The ' Newgate ' novel created a stir in the 1830s with the ...
Page 129
... Oliver Twist ' : Serial Form Dickens's first novel published in serial format makes an ideal illustration of the ... Oliver Twist in the more traditional guise of magazine instalments , shorter than the part - issues but spread over a ...
... Oliver Twist ' : Serial Form Dickens's first novel published in serial format makes an ideal illustration of the ... Oliver Twist in the more traditional guise of magazine instalments , shorter than the part - issues but spread over a ...
Page 131
... Oliver Twist occurs at the end of the original sixth instalment ( now Chapter 13 ) , when Fagin sends the Artful Dodger to retrieve Oliver from Mr Brownlow with the sinister concluding threat : ' If he means to blab us among his new ...
... Oliver Twist occurs at the end of the original sixth instalment ( now Chapter 13 ) , when Fagin sends the Artful Dodger to retrieve Oliver from Mr Brownlow with the sinister concluding threat : ' If he means to blab us among his new ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers