The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 69
... Richardson and by implication attacks on Richardson's values . Watt points out that Fielding made a strong effort to create a ' respectable ' ancestry for the novel by relating it to the classical precedent of the ' epic ' ; would he ...
... Richardson and by implication attacks on Richardson's values . Watt points out that Fielding made a strong effort to create a ' respectable ' ancestry for the novel by relating it to the classical precedent of the ' epic ' ; would he ...
Page 78
... Richardson as a model . ( The habit of the booksellers in paying novelists to some extent by quantity of words may have been an incentive , however . ) This final section therefore refers to Richardson's novels in a highly condensed ...
... Richardson as a model . ( The habit of the booksellers in paying novelists to some extent by quantity of words may have been an incentive , however . ) This final section therefore refers to Richardson's novels in a highly condensed ...
Page 82
... Richardson's conscious and unconscious intention : His conscious desire in writing the novel was to assert the ... ( Richardson eventually became the focus of an admiring circle of women as the result of his literary conquests . ) This ...
... Richardson's conscious and unconscious intention : His conscious desire in writing the novel was to assert the ... ( Richardson eventually became the focus of an admiring circle of women as the result of his literary conquests . ) This ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers