The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 169
... Sons and Lovers where Paul Morel uses it in intimate conversation . This usage seems to reflect Lawrence's status as a ' minority ' voice in the authorship of fiction . His place as the first major British novelist of working - class ...
... Sons and Lovers where Paul Morel uses it in intimate conversation . This usage seems to reflect Lawrence's status as a ' minority ' voice in the authorship of fiction . His place as the first major British novelist of working - class ...
Page 180
... son Paul into a ' desk job ' against her father's wishes . ) As a result it seems that the only encouragement for young Lawrence's artistic development came from Jessie Chambers ( the Miriam of Sons and Lovers ) . Holderness quotes her ...
... son Paul into a ' desk job ' against her father's wishes . ) As a result it seems that the only encouragement for young Lawrence's artistic development came from Jessie Chambers ( the Miriam of Sons and Lovers ) . Holderness quotes her ...
Page 187
... Sons and Lovers and even with the treatment of Walter Morel and his relationship with his family . Most critics , recognising this , have suggested that Marsh Farm is used as a positive contrast , an antidote to the industrialised ...
... Sons and Lovers and even with the treatment of Walter Morel and his relationship with his family . Most critics , recognising this , have suggested that Marsh Farm is used as a positive contrast , an antidote to the industrialised ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers