The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 174
... Tess reveals it to her mother on her return from Trantridge . There are also lesser differences between this serialised version and the Wessex Novels edition of 1912 , which forms the basis of what the modern reader knows of Tess . They ...
... Tess reveals it to her mother on her return from Trantridge . There are also lesser differences between this serialised version and the Wessex Novels edition of 1912 , which forms the basis of what the modern reader knows of Tess . They ...
Page 175
... Tess : whether this is so or not , it is interesting to note that the material could be published provided it was ... Tess murders Alec ) . The transition to book form was a creative one in that it enabled Hardy to make other changes ...
... Tess : whether this is so or not , it is interesting to note that the material could be published provided it was ... Tess murders Alec ) . The transition to book form was a creative one in that it enabled Hardy to make other changes ...
Page 177
... Tess's father , or copyholders , or , occasionally , small freeholders . ( p . 435 ) This intermediate class , whose members in Tess are being threatened by the expiry of their tenancies and leases as well as by the contraction of the ...
... Tess's father , or copyholders , or , occasionally , small freeholders . ( p . 435 ) This intermediate class , whose members in Tess are being threatened by the expiry of their tenancies and leases as well as by the contraction of the ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers