The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 22
... analyses of society can be applied to any period and also claim to explain the transitions between periods they would seem to offer a great deal here , provided that , secondly , the social analysis can be extended convincingly into the ...
... analyses of society can be applied to any period and also claim to explain the transitions between periods they would seem to offer a great deal here , provided that , secondly , the social analysis can be extended convincingly into the ...
Page 40
... analysis of society and intro- ducing instead a period of bland escapism and concern with art for art's sake . To illustrate this argument Lukács contrasts ( to the scandal of more conventional Marxists ) Balzac and Zola . Despite ...
... analysis of society and intro- ducing instead a period of bland escapism and concern with art for art's sake . To illustrate this argument Lukács contrasts ( to the scandal of more conventional Marxists ) Balzac and Zola . Despite ...
Page 202
... analysis of genre in terms of formula and structure is the analysis of oral literature ( for example ballads and folk - tales ) with which it shares some characteristics , for example the relative subordination of the individual author ...
... analysis of genre in terms of formula and structure is the analysis of oral literature ( for example ballads and folk - tales ) with which it shares some characteristics , for example the relative subordination of the individual author ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers