The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 12
... appears in the classical communication model is the channel of communication . The channel by which the message is transmitted should not be confused with the message itself . At different periods the channel for literature has varied ...
... appears in the classical communication model is the channel of communication . The channel by which the message is transmitted should not be confused with the message itself . At different periods the channel for literature has varied ...
Page 33
... appear here as the direct efflux of men's material behaviour . The same is true of intellectual production , as it appears in the language of the politics , the laws , the morals , the religion , the metaphysics , and so on , of a ...
... appear here as the direct efflux of men's material behaviour . The same is true of intellectual production , as it appears in the language of the politics , the laws , the morals , the religion , the metaphysics , and so on , of a ...
Page 138
... appears in most of Dickens's early novels and this character is generally a child . Like Little Nell , Paul Dombey and later on Little Dorrit and Jo the crossing - sweeper , Oliver Twist largely functions as the passive victim of malign ...
... appears in most of Dickens's early novels and this character is generally a child . Like Little Nell , Paul Dombey and later on Little Dorrit and Jo the crossing - sweeper , Oliver Twist largely functions as the passive victim of malign ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers