The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 42
... artistic works , which alone allow the coherent expression of this relationship . Goldmann goes so far as to maintain that ' in the last resort ' it is the group and not the individual which is the ' true author ' of the work , i.e. the ...
... artistic works , which alone allow the coherent expression of this relationship . Goldmann goes so far as to maintain that ' in the last resort ' it is the group and not the individual which is the ' true author ' of the work , i.e. the ...
Page 155
... artistic questions that may be raised , and who crushes out of sight any artistic aspiration he may deem pernicious . ' ( Griest p . 149 ) Henry Vizetelly , who was to be imprisoned in 1888 for publishing Zola's allegedly obscene La ...
... artistic questions that may be raised , and who crushes out of sight any artistic aspiration he may deem pernicious . ' ( Griest p . 149 ) Henry Vizetelly , who was to be imprisoned in 1888 for publishing Zola's allegedly obscene La ...
Page 200
... artistic ' . The pressure of readers ( their ' horizon of expec- tation ' ) for ' more of the same ' can be withstood , though at the cost of financial and artistic isolation . The dilemma is illustrated by a young science - fiction ...
... artistic ' . The pressure of readers ( their ' horizon of expec- tation ' ) for ' more of the same ' can be withstood , though at the cost of financial and artistic isolation . The dilemma is illustrated by a young science - fiction ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers