The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 10
... author and the readership – as well as by other elements , to be mentioned later . In the case of the author , defining these characteristics is comparatively easy , since most authors of novels can be identi- fied with certainty ...
... author and the readership – as well as by other elements , to be mentioned later . In the case of the author , defining these characteristics is comparatively easy , since most authors of novels can be identi- fied with certainty ...
Page 51
... author to the commercial publisher . In a suggestive example Eagleton shows how the Victorian circulating library system ( described in more detail in Chapter 5 ) as the dominant nineteenth - century LMP determined the selection of authors ...
... author to the commercial publisher . In a suggestive example Eagleton shows how the Victorian circulating library system ( described in more detail in Chapter 5 ) as the dominant nineteenth - century LMP determined the selection of authors ...
Page 165
... authors , editors and journalists , a figure which rose to 11,060 by 1901. Although most of these may have been journalists , this itself may indicate the existence for authors of another source of income compatible with their work and ...
... authors , editors and journalists , a figure which rose to 11,060 by 1901. Although most of these may have been journalists , this itself may indicate the existence for authors of another source of income compatible with their work and ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
Common terms and phrases
aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers