The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 18
... chapters . Chapter 2 develops further some of the concepts raised at the end of this chapter . It consists of a historical survey of ' over- arching ' general theories of the relationship of literature to society . ( ' Literature ...
... chapters . Chapter 2 develops further some of the concepts raised at the end of this chapter . It consists of a historical survey of ' over- arching ' general theories of the relationship of literature to society . ( ' Literature ...
Page 19
... chapter ( Tess of the D'Urbervilles , Sons and Lovers and The Rainbow ) also highlights the working of censorship , either imposed or voluntary . Chapter 7 is about the novel today , but with particular reference to ' popular fiction ...
... chapter ( Tess of the D'Urbervilles , Sons and Lovers and The Rainbow ) also highlights the working of censorship , either imposed or voluntary . Chapter 7 is about the novel today , but with particular reference to ' popular fiction ...
Page 58
... chapter the reader or student is free to decide whether reception theory provides a useful context for examining fiction of the past or present . The purpose of the chapter has been to introduce terminology and to identify principles ...
... chapter the reader or student is free to decide whether reception theory provides a useful context for examining fiction of the past or present . The purpose of the chapter has been to introduce terminology and to identify principles ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers