The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 92
... character - the perfect manner in which every character is sustained in every change of situation from first to last , without effort , without the affectation of making the persons speak in character – the ingenuity with which each ...
... character - the perfect manner in which every character is sustained in every change of situation from first to last , without effort , without the affectation of making the persons speak in character – the ingenuity with which each ...
Page 133
... character in David Copperfield because the woman on whom she was based had written a letter of com- plaint . The most drastic response he made to poor sales figures was probably in the case of the part - issued Martin Chuzzlewit where ...
... character in David Copperfield because the woman on whom she was based had written a letter of com- plaint . The most drastic response he made to poor sales figures was probably in the case of the part - issued Martin Chuzzlewit where ...
Page 143
... character of the murderer - here called ' Wilson ' not ' Barton ' . In addition there are these major differences : ( 1 ) The mill - owner not his son is the victim of the murder . ( 2 ) In the draft Job Legh is instrumental in ...
... character of the murderer - here called ' Wilson ' not ' Barton ' . In addition there are these major differences : ( 1 ) The mill - owner not his son is the victim of the murder . ( 2 ) In the draft Job Legh is instrumental in ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers