The Framework of Fiction: Socio-cultural Approaches to the Novel |
From inside the book
Results 1-3 of 54
Page 135
... characters and situations which arise in his novels Dickens resorted to a third technique identified by Archibald Coolidge - the employment of stock situations and stock characters . ( Coolidge pp . 53–55 ) - - It is not necessary to ...
... characters and situations which arise in his novels Dickens resorted to a third technique identified by Archibald Coolidge - the employment of stock situations and stock characters . ( Coolidge pp . 53–55 ) - - It is not necessary to ...
Page 184
... characters in a life - size medium , fictional and communal , which nurtures , provokes , and makes room for the strength of impulse , he will produce a novel like The Rainbow . . . . Characters in novels like these are not cari ...
... characters in a life - size medium , fictional and communal , which nurtures , provokes , and makes room for the strength of impulse , he will produce a novel like The Rainbow . . . . Characters in novels like these are not cari ...
Page 204
... characters ( the Woman is torn internally between Purity and Perversion ) or character oppositions ( the Villain - Woman opposition can be characterised as a Love - Death opposition ) . The fourteen oppositions form the structural ...
... characters ( the Woman is torn internally between Purity and Perversion ) or character oppositions ( the Villain - Woman opposition can be characterised as a Love - Death opposition ) . The fourteen oppositions form the structural ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
4 other sections not shown
Other editions - View all
The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
Common terms and phrases
aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers