The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 15
... complex and less obvious than would be implied by ( say ) ' the writer's perspective on society ' . It is certainly a product of the economic and class relations which the Marxists regard as the fundamental determining realities but it ...
... complex and less obvious than would be implied by ( say ) ' the writer's perspective on society ' . It is certainly a product of the economic and class relations which the Marxists regard as the fundamental determining realities but it ...
Page 76
... complex of values through the story of Crusoe . It has already been mentioned that the hero's solitude on the island excludes any possibility of the trade on which the mercantile life - style was based . There are also ways in which the ...
... complex of values through the story of Crusoe . It has already been mentioned that the hero's solitude on the island excludes any possibility of the trade on which the mercantile life - style was based . There are also ways in which the ...
Page 216
... sales of his previous books ) his work became ' complex ' , ' artful ' and ' difficult ' . Thirdly there is a direction in which the distinctiveness of the novel as a genre becomes blurred , in the wake 216 Framework of Fiction.
... sales of his previous books ) his work became ' complex ' , ' artful ' and ' difficult ' . Thirdly there is a direction in which the distinctiveness of the novel as a genre becomes blurred , in the wake 216 Framework of Fiction.
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
Common terms and phrases
aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers