The Framework of Fiction: Socio-cultural Approaches to the Novel

aesthetic allowed appears approach attempt became become Bond called century chapter characters claims concern context conventional course critics cultural described detail Dickens early economic edition effect elements English evidence example existence expectations expression fact fiction figures forced genre given Hardy hero idea ideology individual influence interest John later Lawrence less libraries literary literature Marxist material mean method middle middle-class nature nineteenth century novel novelists Oliver origins particular Penguin period political popular possible present pressures production publishers readers readership reading referred reflect regarded relation relationship reprints result role Scott seems sense serial social society socio-cultural standard structure success suggests theory traditional turn values Victorian volume Waverley women writers written