The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 9
... conventional romantic heroine ( his daughter ) was almost certainly caused by the publisher's assessment of what the middle - class reading public would ' stand for ' and his trans- mission of this standard to the relatively ...
... conventional romantic heroine ( his daughter ) was almost certainly caused by the publisher's assessment of what the middle - class reading public would ' stand for ' and his trans- mission of this standard to the relatively ...
Page 175
... conventional novel heroine and targeted at a suitable readership . When Hardy soon afterwards attempted to ' piece the trunk and limbs of the novel ' together by restoring the censored episodes , the resulting three - volume edition did ...
... conventional novel heroine and targeted at a suitable readership . When Hardy soon afterwards attempted to ' piece the trunk and limbs of the novel ' together by restoring the censored episodes , the resulting three - volume edition did ...
Page 184
... conventional heroes , mere victims or arbiters of manners and morals , they are passions and first principles ; and they are all the more human and individual for being so . ( ' The Originality of The Rainbow ' in D. H. Lawrence ...
... conventional heroes , mere victims or arbiters of manners and morals , they are passions and first principles ; and they are all the more human and individual for being so . ( ' The Originality of The Rainbow ' in D. H. Lawrence ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
4 other sections not shown
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
Common terms and phrases
aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers