The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 16
... elements can play a part in the process of communication through fiction : The author : his / her characteristics ; The readership : its characteristics ; The channel : the mode of publication and consumption ; The immediate literary ...
... elements can play a part in the process of communication through fiction : The author : his / her characteristics ; The readership : its characteristics ; The channel : the mode of publication and consumption ; The immediate literary ...
Page 23
... Elements was understood the gaps in the periodic sequence could be filled in by hypothesising certain elements , which were later created artificially . A theory which only ' works ' in relation to texts selected by the originator of ...
... Elements was understood the gaps in the periodic sequence could be filled in by hypothesising certain elements , which were later created artificially . A theory which only ' works ' in relation to texts selected by the originator of ...
Page 202
... element of suspense . The Danish writer Lars Ole Sauerberg on the other hand while accepting the category of suspense fiction , finds distinctive elements in what he calls ' secret agent fiction ' . ( This term unlike Joan Rockwell's ...
... element of suspense . The Danish writer Lars Ole Sauerberg on the other hand while accepting the category of suspense fiction , finds distinctive elements in what he calls ' secret agent fiction ' . ( This term unlike Joan Rockwell's ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers