The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 47
... feeling , a term which he prefers to employ rather than ' ideology ' or ' world vision ' in relation to particular authors , since it lays stress on the quality of ' felt ' or ' lived ' experience , as dictated of course by the ...
... feeling , a term which he prefers to employ rather than ' ideology ' or ' world vision ' in relation to particular authors , since it lays stress on the quality of ' felt ' or ' lived ' experience , as dictated of course by the ...
Page 48
... feeling ' is modified by their own middle - class origins , resulting in fear of becoming too much involved . ' Sympathy was transformed not into action but withdrawal . ' ( Culture and Society , p . 119 ) For Williams the value of ...
... feeling ' is modified by their own middle - class origins , resulting in fear of becoming too much involved . ' Sympathy was transformed not into action but withdrawal . ' ( Culture and Society , p . 119 ) For Williams the value of ...
Page 58
... feel the need to justify a distinction between ' popular ' and ' literary ' in terms that emphasise the greater power of the latter to disturb conventions of style and thought , though the Marxists take this further by relating this ...
... feel the need to justify a distinction between ' popular ' and ' literary ' in terms that emphasise the greater power of the latter to disturb conventions of style and thought , though the Marxists take this further by relating this ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers