The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 115
... figures for sales would not have included the kind of multiple readership implied by borrowing from libraries or friends or by listening to family readings . Nevertheless the figure of 40,000 copies for each of the instalments in which ...
... figures for sales would not have included the kind of multiple readership implied by borrowing from libraries or friends or by listening to family readings . Nevertheless the figure of 40,000 copies for each of the instalments in which ...
Page 133
... figures for the instalment or periodical and the nineteenth - century equivalent of ' fan - mail ' or the reverse . We know that Dickens responded to the latter by for instance altering a character in David Copperfield because the woman ...
... figures for the instalment or periodical and the nineteenth - century equivalent of ' fan - mail ' or the reverse . We know that Dickens responded to the latter by for instance altering a character in David Copperfield because the woman ...
Page 165
... figures show that there were 6,111 full - time authors , editors and journalists , a figure which rose to 11,060 by 1901. Although most of these may have been journalists , this itself may indicate the existence for authors of another ...
... figures show that there were 6,111 full - time authors , editors and journalists , a figure which rose to 11,060 by 1901. Although most of these may have been journalists , this itself may indicate the existence for authors of another ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers