The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 78
... forced to treat herself as a sexual object in order to avoid becoming one for others ' . His analysis shows how her behaviour results from Richardson's determination to make her also representative of social mobility : Pamela is both ...
... forced to treat herself as a sexual object in order to avoid becoming one for others ' . His analysis shows how her behaviour results from Richardson's determination to make her also representative of social mobility : Pamela is both ...
Page 136
... forced him to persuade Bentley to accept the expanded Oliver as a replace- ment . ( He was already deep into Barnaby Rudge , described in the same agreement as ' three volumes of 320 pages each and 25 lines in each page ' ! ) Perhaps ...
... forced him to persuade Bentley to accept the expanded Oliver as a replace- ment . ( He was already deep into Barnaby Rudge , described in the same agreement as ' three volumes of 320 pages each and 25 lines in each page ' ! ) Perhaps ...
Page 219
... forced in the end to fall back on the division between ' authentic art ' and that of an average or mediocre level . The Marxists are guilty of having ' patted on the back [ bourgeois criticism ] for having recognised which works are The ...
... forced in the end to fall back on the division between ' authentic art ' and that of an average or mediocre level . The Marxists are guilty of having ' patted on the back [ bourgeois criticism ] for having recognised which works are The ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers