The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 39
... idea , not because the author had this idea in mind while he was producing it , but because he was impressed by certain features of reality from which this idea automatically arises ' ( Studies in European Realism , Merlin Press 1964 ...
... idea , not because the author had this idea in mind while he was producing it , but because he was impressed by certain features of reality from which this idea automatically arises ' ( Studies in European Realism , Merlin Press 1964 ...
Page 56
... idea that they acquitted Flaubert but condemned the literary technique which had registered such a convulsive effect on the bourgeois nervous system . Jauss's approach tends to regard literature as being ' socially formative ' , in ...
... idea that they acquitted Flaubert but condemned the literary technique which had registered such a convulsive effect on the bourgeois nervous system . Jauss's approach tends to regard literature as being ' socially formative ' , in ...
Page 145
... idea that the very names ' Carson ' and ' Barton ' , which are more similar phonetically than the ' Wilson ' and ' Chadwick ' of the draft version , symbolise the emphasis on a common interest between masters and men , implied by the ...
... idea that the very names ' Carson ' and ' Barton ' , which are more similar phonetically than the ' Wilson ' and ' Chadwick ' of the draft version , symbolise the emphasis on a common interest between masters and men , implied by the ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers