The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 113
... Industrial Revolution destroyed , without automatically substituting anything else.1 The Industrial Revolution - the rapid development of new technologies and the economic investment required to im- plement them - was the basis for this ...
... Industrial Revolution destroyed , without automatically substituting anything else.1 The Industrial Revolution - the rapid development of new technologies and the economic investment required to im- plement them - was the basis for this ...
Page 148
... ( Industry and Empire , Penguin 1969 p . 126 ) One aspect of the ' acceptance ' of capitalism was a process of ... industrial pros- perity ... if we leave our work folk any longer unskilled . . . they will become overmatched in the ...
... ( Industry and Empire , Penguin 1969 p . 126 ) One aspect of the ' acceptance ' of capitalism was a process of ... industrial pros- perity ... if we leave our work folk any longer unskilled . . . they will become overmatched in the ...
Page 216
... industry ' able to transform itself into many shapes - films , television adaptations , children's comics , even computer games provides the promise of economic viability . The application of this even to fiction not primarily conceived ...
... industry ' able to transform itself into many shapes - films , television adaptations , children's comics , even computer games provides the promise of economic viability . The application of this even to fiction not primarily conceived ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers