The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 36
... later critics such as Lukács . The problem of reconciling the ' great ' ( aesthetically worth- while ) with the ' good ' ( socially progressive ) remained a diffi- culty for many later Marxists interested in literature . These later ...
... later critics such as Lukács . The problem of reconciling the ' great ' ( aesthetically worth- while ) with the ' good ' ( socially progressive ) remained a diffi- culty for many later Marxists interested in literature . These later ...
Page 177
... later an itinerant stonemason ) and Hardy himself , whose father was a small builder , had direct experience of it . Arnold Kettle's assertion therefore that Tess is chiefly about ' the destruction of the peasantry ' is not precise ...
... later an itinerant stonemason ) and Hardy himself , whose father was a small builder , had direct experience of it . Arnold Kettle's assertion therefore that Tess is chiefly about ' the destruction of the peasantry ' is not precise ...
Page 194
... later in this chapter . Mrs Leavis's scenario has been reassessed by John Suther- land in his book Fiction and the Fiction Industry published in 1978. Sutherland finds little evidence to bear out the prophecies of literary degeneration ...
... later in this chapter . Mrs Leavis's scenario has been reassessed by John Suther- land in his book Fiction and the Fiction Industry published in 1978. Sutherland finds little evidence to bear out the prophecies of literary degeneration ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
Common terms and phrases
aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers