The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 38
... literary form became ' socialist realism ' , depicting the inevitable triumph of the proletariat . By the late 1920s this concern for correctness meant that official Soviet literary scholar- ship had become frozen into a naďve ...
... literary form became ' socialist realism ' , depicting the inevitable triumph of the proletariat . By the late 1920s this concern for correctness meant that official Soviet literary scholar- ship had become frozen into a naďve ...
Page 50
... literary text in general is a ' production ' of ideology , leading to radically different final forms . However , by studying the process of ' production ' we are privileged to glimpse from outside the operation of an ideology otherwise ...
... literary text in general is a ' production ' of ideology , leading to radically different final forms . However , by studying the process of ' production ' we are privileged to glimpse from outside the operation of an ideology otherwise ...
Page 218
... literary ' on the other . Breach of the principle is precisely the rallying - cry of radical critics such as Eagleton , who have come to reject the notion of a canon in itself and seek to replace a study of distinctively ' literary ...
... literary ' on the other . Breach of the principle is precisely the rallying - cry of radical critics such as Eagleton , who have come to reject the notion of a canon in itself and seek to replace a study of distinctively ' literary ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers