The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 7
... nature and can only be challenged on logical or philosophical grounds . Literary criticism can gain much support from either approach , as can be shown by the following analogy . A geographer interested in a particular group of high ...
... nature and can only be challenged on logical or philosophical grounds . Literary criticism can gain much support from either approach , as can be shown by the following analogy . A geographer interested in a particular group of high ...
Page 29
... nature of society in England before and after the widespread impact of technology we call the Industrial Revolution . For him the most important feature of this revolution was the effect of machinery and mechanical methods ...
... nature of society in England before and after the widespread impact of technology we call the Industrial Revolution . For him the most important feature of this revolution was the effect of machinery and mechanical methods ...
Page 175
... nature of the theme ( although Andrew Lang objected to the inclusion of such ' vulgar objects ' as the carving knife with which Tess murders Alec ) . The transition to book form was a creative one in that it enabled Hardy to make other ...
... nature of the theme ( although Andrew Lang objected to the inclusion of such ' vulgar objects ' as the carving knife with which Tess murders Alec ) . The transition to book form was a creative one in that it enabled Hardy to make other ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
Common terms and phrases
aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers