The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 121
... original artist and the fact that Dickens knew little about field sports and asked for a wider brief altered the ratio between illustrations and text and thus produced the first new novel in instalment form , Pickwick Papers . Eight of ...
... original artist and the fact that Dickens knew little about field sports and asked for a wider brief altered the ratio between illustrations and text and thus produced the first new novel in instalment form , Pickwick Papers . Eight of ...
Page 143
... original plan seems to point to ideological rather than commercial factors at work . As the change of title suggests , the original concentrated much more on the character of the murderer - here called ' Wilson ' not ' Barton ' . In ...
... original plan seems to point to ideological rather than commercial factors at work . As the change of title suggests , the original concentrated much more on the character of the murderer - here called ' Wilson ' not ' Barton ' . In ...
Page 215
... original plot was to be used for the adaptation . ) Bennett comments that the change in the sexual theme may have accoun- ted for the popularity of the films even in a period when the women's movement was gathering strength : ' In ...
... original plot was to be used for the adaptation . ) Bennett comments that the change in the sexual theme may have accoun- ted for the popularity of the films even in a period when the women's movement was gathering strength : ' In ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers