The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 194
Socio-cultural Approaches to the Novel John Bull. to identify popular fiction ) are overshadowed by her moralistic assumptions . Since 1932 it has been commonplace to apply the socio - cultural approach to popular fiction ; to question ...
Socio-cultural Approaches to the Novel John Bull. to identify popular fiction ) are overshadowed by her moralistic assumptions . Since 1932 it has been commonplace to apply the socio - cultural approach to popular fiction ; to question ...
Page 217
Socio-cultural Approaches to the Novel John Bull. novel as a genre becomes blurred ... fiction and other media . In this direction the ' text ' becomes a concept ... Popular This last section considers how the study of popular fiction can ...
Socio-cultural Approaches to the Novel John Bull. novel as a genre becomes blurred ... fiction and other media . In this direction the ' text ' becomes a concept ... Popular This last section considers how the study of popular fiction can ...
Page 219
... popular fiction conveys beyond the notion of numerical appeal - nothing so much as that it is not literature . ' Even Marxist literary criticism has shown itself to be at heart a ' bourgeois enterprise ' by failing to confront this ...
... popular fiction conveys beyond the notion of numerical appeal - nothing so much as that it is not literature . ' Even Marxist literary criticism has shown itself to be at heart a ' bourgeois enterprise ' by failing to confront this ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers