The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 3
... possible influences to three : race , moment and milieu - or ' national origin ' , ' historical origin and ' social setting ' . It received a powerful impetus from the writings on art of Marx and Engels and of their followers who were ...
... possible influences to three : race , moment and milieu - or ' national origin ' , ' historical origin and ' social setting ' . It received a powerful impetus from the writings on art of Marx and Engels and of their followers who were ...
Page 5
... possible that some members of class y had not read the novel while some members of another class , z , had done so . Since all the readers are now dead it is not possible to assign them directly to a social class . The most we can say ...
... possible that some members of class y had not read the novel while some members of another class , z , had done so . Since all the readers are now dead it is not possible to assign them directly to a social class . The most we can say ...
Page 197
... possible to fulfil the long- standing dreams of publishers , as quoted by Janice Radway in her study of the romantic novel : ' it was possible to make book sales predictable and more profitable if one could establish a permanent conduit ...
... possible to fulfil the long- standing dreams of publishers , as quoted by Janice Radway in her study of the romantic novel : ' it was possible to make book sales predictable and more profitable if one could establish a permanent conduit ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
Common terms and phrases
aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers