The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 14
... pressures on it and encourages certain expectations . To consider the expectations first . The immediate context of any novel lies in the literary context out of which it springs and which causes the consumer to demand gratifications ...
... pressures on it and encourages certain expectations . To consider the expectations first . The immediate context of any novel lies in the literary context out of which it springs and which causes the consumer to demand gratifications ...
Page 81
... pressures of the market morality of the property marriage system ( and despite Lovelace's eventual ' success ' in physically raping her ) illuminates contradictions within the middle - class value system which spring from the conflict ...
... pressures of the market morality of the property marriage system ( and despite Lovelace's eventual ' success ' in physically raping her ) illuminates contradictions within the middle - class value system which spring from the conflict ...
Page 187
... pressure - the pressures of altering ways of life , economic and social and physical changes - such a reality radical and irreducible has to be made or found ; it is not given . It is then made and found - attempted to be made and found ...
... pressure - the pressures of altering ways of life , economic and social and physical changes - such a reality radical and irreducible has to be made or found ; it is not given . It is then made and found - attempted to be made and found ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
Common terms and phrases
aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers