The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 8
... produced it or how it reached us . These analogies can be made more relevant by considering the following pieces of evidence about some well - known nineteenth - century novels . They have a general as well as a particular significance ...
... produced it or how it reached us . These analogies can be made more relevant by considering the following pieces of evidence about some well - known nineteenth - century novels . They have a general as well as a particular significance ...
Page 51
... produced at the rate of one a year to allow the writers even a subsistence salary ) and the format of the text ( the required length could only be achieved by multiple plots , long digressions and padding ) . ( 3 ) The General Ideology ...
... produced at the rate of one a year to allow the writers even a subsistence salary ) and the format of the text ( the required length could only be achieved by multiple plots , long digressions and padding ) . ( 3 ) The General Ideology ...
Page 184
... produce the kind of novel that Lawrence is now giving up , the novel preoccupied - whether in affir- mation or protest - with manners and morals , the class novel , the standard English novel . If , however , the novelist creates his ...
... produce the kind of novel that Lawrence is now giving up , the novel preoccupied - whether in affir- mation or protest - with manners and morals , the class novel , the standard English novel . If , however , the novelist creates his ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers