The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 6
... production and reception of the text , for example biographical , psychological , historical and sociological approaches among others . The term ' socio - cultural ' seems more meaningful than ' extrinsic ' to sum up these approaches ...
... production and reception of the text , for example biographical , psychological , historical and sociological approaches among others . The term ' socio - cultural ' seems more meaningful than ' extrinsic ' to sum up these approaches ...
Page 45
... production . Even Plekhanov's more elaborate and indirect formulation ( see p . 37 ) is misleading in his view because it fails to take account of the fact that ' consciousness ' plays just as important a role in social relation- ships ...
... production . Even Plekhanov's more elaborate and indirect formulation ( see p . 37 ) is misleading in his view because it fails to take account of the fact that ' consciousness ' plays just as important a role in social relation- ships ...
Page 50
... production ' of ideology , leading to radically different final forms . However , by studying the process of ' production ' we are privileged to glimpse from outside the operation of an ideology otherwise inaccessible to us . In order ...
... production ' of ideology , leading to radically different final forms . However , by studying the process of ' production ' we are privileged to glimpse from outside the operation of an ideology otherwise inaccessible to us . In order ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers