The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 5
... readers of the novel must have belonged to another social group . ( The numerical data do not of course tell us how much the readers enjoyed the experience ! ) The term sociometric has been used by one writer to describe this sort of ...
... readers of the novel must have belonged to another social group . ( The numerical data do not of course tell us how much the readers enjoyed the experience ! ) The term sociometric has been used by one writer to describe this sort of ...
Page 54
... readers may have of a particular text , the effects which the text may have on the readers and the uses to which the act of reading may be put . An early attempt to assess the response of readers to a particular author was made by the ...
... readers may have of a particular text , the effects which the text may have on the readers and the uses to which the act of reading may be put . An early attempt to assess the response of readers to a particular author was made by the ...
Page 220
... readers , the radical critic will devote his attention to the question of why particular readers value certain texts at particular periods and in particular social environments . Reformulating the role of value makes it possible to ...
... readers , the radical critic will devote his attention to the question of why particular readers value certain texts at particular periods and in particular social environments . Reformulating the role of value makes it possible to ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers