The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 33
... realities ( ' the base ' underlying the ' superstructure ' ) . In Marx's words : Conceiving , thinking , the spiritual ... reality ' . ) This latter sense is the one that later Marxist critics have found to be most productive and ...
... realities ( ' the base ' underlying the ' superstructure ' ) . In Marx's words : Conceiving , thinking , the spiritual ... reality ' . ) This latter sense is the one that later Marxist critics have found to be most productive and ...
Page 47
... reality ) and the emergent ( corresponding either to a new phase of the dominant or to that which is in opposition to it ) . With the emergent category Williams particularly asso- ciates the structure of feeling , a term which he ...
... reality ) and the emergent ( corresponding either to a new phase of the dominant or to that which is in opposition to it ) . With the emergent category Williams particularly asso- ciates the structure of feeling , a term which he ...
Page 49
... reality . Unlike the writing of ( say ) history , the writing of novels has no ' determinate object ' ; characters , incidents and emotions are not related to any ' primary reality ' but form ' ends in themselves ' or as Eagleton puts ...
... reality . Unlike the writing of ( say ) history , the writing of novels has no ' determinate object ' ; characters , incidents and emotions are not related to any ' primary reality ' but form ' ends in themselves ' or as Eagleton puts ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
Common terms and phrases
aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers