The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 81
... standards , high Puritan standards , were not of this world ; they could only be realised in the after - life . They are a criticism of this world's standards . ' ( Hill , p . 117 ) Eagleton's reading also , which is highly sympathetic ...
... standards , high Puritan standards , were not of this world ; they could only be realised in the after - life . They are a criticism of this world's standards . ' ( Hill , p . 117 ) Eagleton's reading also , which is highly sympathetic ...
Page 120
... standard three - volume novel that made it a luxury commodity even for the middle classes . By the end of the century purchases by individuals of three- volume first editions were regarded as so abnormal and eccen- tric that a cartoon ...
... standard three - volume novel that made it a luxury commodity even for the middle classes . By the end of the century purchases by individuals of three- volume first editions were regarded as so abnormal and eccen- tric that a cartoon ...
Page 144
... standard language . Moreover , although dialect speech is put into the mouths of the Wilsons and Bartons generally ... standard syntax and only one or two non - standard ex- pressions , such as ' I'd a deal to bear ' . Wright comments ...
... standard language . Moreover , although dialect speech is put into the mouths of the Wilsons and Bartons generally ... standard syntax and only one or two non - standard ex- pressions , such as ' I'd a deal to bear ' . Wright comments ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers