The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 91
... three - volume novel and remained so until the 1890s . The three - volume novel or three - decker which developed into the staple of the Victorian fiction industry will be considered in more detail in the next chapter . It is worth ...
... three - volume novel and remained so until the 1890s . The three - volume novel or three - decker which developed into the staple of the Victorian fiction industry will be considered in more detail in the next chapter . It is worth ...
Page 136
... three volumes of 320 pages each and 25 lines in each page ' ! ) Perhaps the need to expand Oliver to three - volume length , though not at first three - volume format , explains inconsistencies and deficiencies in what had started out ...
... three volumes of 320 pages each and 25 lines in each page ' ! ) Perhaps the need to expand Oliver to three - volume length , though not at first three - volume format , explains inconsistencies and deficiencies in what had started out ...
Page 155
... three - volume edition and the single - volume 6s . reprint grew shorter and shorter . The lending libraries began to be threatened economically by this practice at the same time as the spread of free public libraries reduced their ...
... three - volume edition and the single - volume 6s . reprint grew shorter and shorter . The lending libraries began to be threatened economically by this practice at the same time as the spread of free public libraries reduced their ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
Common terms and phrases
aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers