The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 33
... true of intellectual production , as it appears in the language of the politics , the laws , the morals , the religion , the metaphysics , and so on , of a people . Human beings are the producers of these concepts , ideas , and so on ...
... true of intellectual production , as it appears in the language of the politics , the laws , the morals , the religion , the metaphysics , and so on , of a people . Human beings are the producers of these concepts , ideas , and so on ...
Page 89
... reasons , opposed the expansion of the reading public found it handy to conceal their true purposes by harping on the common reader's notorious preference for the novel . ' ( Scott and Jane Austen : Varieties of Conservative Ideology 89.
... reasons , opposed the expansion of the reading public found it handy to conceal their true purposes by harping on the common reader's notorious preference for the novel . ' ( Scott and Jane Austen : Varieties of Conservative Ideology 89.
Page 116
... true to say therefore that Suvin's proposition of a very restricted , mainly affluent , readership for new full - length fiction or even for first cheap reprints holds even more true for the earlier part of the century . Suvin's ...
... true to say therefore that Suvin's proposition of a very restricted , mainly affluent , readership for new full - length fiction or even for first cheap reprints holds even more true for the earlier part of the century . Suvin's ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers