The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 52
... turn to Criticism and Ideology ( pp . 60-2 ) where Eagleton maintains , for example , that the novel could only be developed at a particular stage of evolution of an LMP , and also gives a lengthy analysis of nineteenth- century culture ...
... turn to Criticism and Ideology ( pp . 60-2 ) where Eagleton maintains , for example , that the novel could only be developed at a particular stage of evolution of an LMP , and also gives a lengthy analysis of nineteenth- century culture ...
Page 68
... turn with the conditions of the original small capitalist family business in which the wife was treated as a valued ... turns on aristocratic 68 Framework of Fiction.
... turn with the conditions of the original small capitalist family business in which the wife was treated as a valued ... turns on aristocratic 68 Framework of Fiction.
Page 80
... turn but to Clarissa herself . Her dying encompasses both aristocracy and bourgeoisie , revealing their true unity of interest . Lovelace ... represents a cynical Hobbesian deflation of middle - class sentimental hypocrisy ; but having ...
... turn but to Clarissa herself . Her dying encompasses both aristocracy and bourgeoisie , revealing their true unity of interest . Lovelace ... represents a cynical Hobbesian deflation of middle - class sentimental hypocrisy ; but having ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
Common terms and phrases
aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers