The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 30
... values which oppose the debased contemporary ones . Leavis finds these values to be most accessible in the fiction which he called ' The Great Tradition ' : Jane Austen , Eliot , James , Conrad and - most relevant to the present age ...
... values which oppose the debased contemporary ones . Leavis finds these values to be most accessible in the fiction which he called ' The Great Tradition ' : Jane Austen , Eliot , James , Conrad and - most relevant to the present age ...
Page 43
... values ' which subordinate all relation- ships to the power of money only those individuals who can stand outside the ' action of the market ' are able to cling to the ' authentic ' or ' use values ' of natural and man - made objects ...
... values ' which subordinate all relation- ships to the power of money only those individuals who can stand outside the ' action of the market ' are able to cling to the ' authentic ' or ' use values ' of natural and man - made objects ...
Page 71
... values emerge in a specific case . ' Robinson Crusoe ' A novel might fairly be described as presenting middle - class values if the values of its author are middle class and are explicitly presented in the text or if the characters are ...
... values emerge in a specific case . ' Robinson Crusoe ' A novel might fairly be described as presenting middle - class values if the values of its author are middle class and are explicitly presented in the text or if the characters are ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers