Blacklines: Contemporary Critical Writings By Indigenous AustraliansWritten by established and emerging Indigenous intellectuals from a variety of positions, perspectives and places, these essays generate new ways of seeing and understanding Indigenous Australian history, culture, identity and knowledge in both national and global contexts. From museums to Mabo, anthropology to art, feminism to film, land rights to literature, the essays collected here offer provocative insights and compelling arguments around the historical and contemporary issues confronting Indigenous Australians today. |
From inside the book
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Page v
Contemporary Critical Writings By Indigenous Australians Michele Grossman. Contents. Contributors vii Acknowledgements xi Introduction After Aboriginalism: power, knowledge and Indigenous Australian critical writing 1 Michele Grossman ...
Contemporary Critical Writings By Indigenous Australians Michele Grossman. Contents. Contributors vii Acknowledgements xi Introduction After Aboriginalism: power, knowledge and Indigenous Australian critical writing 1 Michele Grossman ...
Page vii
Contemporary Critical Writings By Indigenous Australians Michele Grossman. Contributors. Ian ANDERSON is Associate ... Australian urban and social history, 'contact' histories between Indigenous and non-Indigenous people in Australia, and ...
Contemporary Critical Writings By Indigenous Australians Michele Grossman. Contributors. Ian ANDERSON is Associate ... Australian urban and social history, 'contact' histories between Indigenous and non-Indigenous people in Australia, and ...
Page viii
Contemporary Critical Writings By Indigenous Australians Michele Grossman. was Australia's first Aboriginal and Torres Strait Islander Social Justice Commissioner with the Human Rights and Equal Opportunity Commission 1993–98, and served ...
Contemporary Critical Writings By Indigenous Australians Michele Grossman. was Australia's first Aboriginal and Torres Strait Islander Social Justice Commissioner with the Human Rights and Equal Opportunity Commission 1993–98, and served ...
Page ix
Contemporary Critical Writings By Indigenous Australians Michele Grossman. on the television . . .': an essay for the Australian Film Commission on the politics and aesthetics of filmmaking by and about Aboriginal people and things ( ...
Contemporary Critical Writings By Indigenous Australians Michele Grossman. on the television . . .': an essay for the Australian Film Commission on the politics and aesthetics of filmmaking by and about Aboriginal people and things ( ...
Page xiii
... Aboriginal art', Art Monthly Australia 66, 1994, pp. 22–5, courtesy of Art Monthly Australia/ Australian National University. Introduction After Aboriginalism: power, knowledge and Indigenous Australian critical writing1 Acknowledgements ...
... Aboriginal art', Art Monthly Australia 66, 1994, pp. 22–5, courtesy of Art Monthly Australia/ Australian National University. Introduction After Aboriginalism: power, knowledge and Indigenous Australian critical writing1 Acknowledgements ...
Contents
After Aboriginalism power knowledge and Indigenous Australian critical writing | 1 |
Critical discourses identities histories knowledges | 15 |
the Aboriginal critique of colonial knowing | 17 |
The end in the beginning redefinding Aboriginality | 25 |
Black bit white bit | 43 |
Aboriginality and corporatism | 52 |
Always was always will be | 60 |
Tiddas talkin up to the white woman when Huggins et al took on Bell | 66 |
Aboriginal art and film the politics of representation | 109 |
Knowledge in action politics policies practices | 125 |
resistance recovery and revitalisation | 127 |
Better | 132 |
Nothing has changed the making and unmaking of Koori culture | 145 |
Australias Indigenous languages | 159 |
Overturning the doctrine Indigenous people and wilderness being Aboriginal in the environmental movement | 171 |
Wandering Girl who defines authenticity in Aboriginal literature? | 181 |
Imaging Indigeneity art aesthetics representations | 78 |
culture wars | 81 |
Language and lasers | 92 |
Seeing and seaming contemporary Aboriginal art | 97 |
The presentation and interpretation of Aboriginal and Torres Strait Islander art the Yiribana Gallery in focus | 104 |
Moving remembering singing our place | 189 |
Notes | 194 |
214 | |
232 | |
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Blacklines: Contemporary Critical Writing by Indigenous Australians Michele Grossman No preview available - 2003 |
Common terms and phrases
Abori Aboriginal and Torres Aboriginal art Aboriginal artists Aboriginal community Aboriginal culture Aboriginal literature academic aesthetic anthropologists Arnhem Land assimilation ATSIC Attwood audience authenticity Bell Bell’s Blacklines colonial construction of Aboriginality contemporary Aboriginal context corporatism critical writing critique curators debate defined definition difficult discourse dispossession dominant Editor’s note essay European experience feminism feminist field film find first Gallery ginal Grampians half-caste Ian Anderson Ibid identified identity images Indigenous Australian Indigenous communities Indigenous women influence intellectual issues Jackie Huggins knowledge Koori Koori Tourism Unit land landscape language Lin Onus living Marcia Langton Michele Grossman Morgan Mudrooroo Murri names national parks native title non-Indigenous painting political position postcolonial Queensland racial racist rape recognise reflect relation representation resistance significant social society South Wales speak specific stories terra nullius Torres Strait Islander traditional urban Wandering Girl Warlpiri Western white women wilderness Yiribana