Science-fiction Studies, Volume 26, Part 1SFS Publications., 1999 - Science fiction |
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Page 54
... radical cyborg ultimately seems to win out " ( 211 ) . Haraway , by this account , finally seems to endorse the cyborg as an imaginary figuration of a posthuman , post- gendered subject who has slipped the bonds of dominant culture . In ...
... radical cyborg ultimately seems to win out " ( 211 ) . Haraway , by this account , finally seems to endorse the cyborg as an imaginary figuration of a posthuman , post- gendered subject who has slipped the bonds of dominant culture . In ...
Page 55
... radical cyborg is both validated and made to serve the interests of the dominant within a single fictional text . Such texts present and seem to endorse the radical cyborg , an image resonant with liberatory possibilities which solicits ...
... radical cyborg is both validated and made to serve the interests of the dominant within a single fictional text . Such texts present and seem to endorse the radical cyborg , an image resonant with liberatory possibilities which solicits ...
Page 67
... radical cyborg to dominant conceptions of sexual difference . Kusanagi is thus reinscribed within one of our most familiar paradigms of femininity : woman as sexualized object for the enjoyment of the male gaze . This is , of course ...
... radical cyborg to dominant conceptions of sexual difference . Kusanagi is thus reinscribed within one of our most familiar paradigms of femininity : woman as sexualized object for the enjoyment of the male gaze . This is , of course ...
Contents
Science Fiction | 23 |
Ann Weinstone Science Fiction as a Young Persons First | 41 |
Science Fiction Meets | 49 |
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Abendsen Adey alien American anthology argues Banks's Barthes Barthes's become body Botau Childan Consider Phlebas construction context conventional critical cultural cyberpunk cyberspace cyborg Deirdre Dick Dick's discourse discussion Dracula Edfrank edition essay fantasy Feersum Endjinn female femininity Feminism feminist film Fowkes Frink galactic-empire gender genre Ghost Gilman's Haraway heteronormative heterosexual Hollywood Sign homosexual human Hyperion HYPERION novels identity ideological imagine issues James Tiptree Japanese Juliana Kasoura King Kong Kusanagi lesbian literary live male masculine masquerade narrative narrator nature Nazi notes novel performance perspective Philip K planet political postmodern potential protagonists Puppet Master queer reading queer theory radical cyborg reader redemption role Russ's scene Science Fiction Science Fiction Studies seems sense sensible world sexual difference Shell social space specific Stoker's story Stover suggests Tagomi Taoism Tedeki theoretical things Tiptree Tiptree's University utopian Vampire Wegener woman women writers York