Nothing If Not Critical: Selected Essays on Art and ArtistsThe most controversial art critic in America and author of the bestselling The Fatal Shore looks with love and loathing, wit and authority, at art, artists, and the art world-from sixteenth-century Rome to 1980s SoHo. -- Back cover. |
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Page 66
... Berenson dropped in on Sally Stein for dinner , and Sally , having heard that Berenson had liked Matisse's work at the Autumn Salon , decided to send for the artist , who was a sort of protege of hers . For two hours Berenson listened ...
... Berenson dropped in on Sally Stein for dinner , and Sally , having heard that Berenson had liked Matisse's work at the Autumn Salon , decided to send for the artist , who was a sort of protege of hers . For two hours Berenson listened ...
Page 179
... Berenson's closest friends . On this first meeting he harangued them for three hours . Unlike Placci's , Salvemini's principles were bone - deep . Much later , when Placci , to Berenson's disgust , became a convert to fascism ...
... Berenson's closest friends . On this first meeting he harangued them for three hours . Unlike Placci's , Salvemini's principles were bone - deep . Much later , when Placci , to Berenson's disgust , became a convert to fascism ...
Page 298
... Berenson, 219–220. 82. Ibid., 127. The picture here of Berenson's relationship with Morra is influenced by Robert and Carolyn Cumming, “Do Not Forget Me,” paper presented at “Berenson at Fifty,” Octo- ber 14–16, 2009, Villa I Tatti ...
... Berenson, 219–220. 82. Ibid., 127. The picture here of Berenson's relationship with Morra is influenced by Robert and Carolyn Cumming, “Do Not Forget Me,” paper presented at “Berenson at Fifty,” Octo- ber 14–16, 2009, Villa I Tatti ...
Contents
of the City of Mahagonny | 3 |
Ancestors | 31 |
Nineteenth Century | 89 |
Copyright | |
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