Poor Cornus sees his frantic wife elope, And curses wit, and poetry, and Pope. 25 Friend to my life! (which did not you prolong, The world had wanted many an idle song), If foes, they write, if friends, they read me dead. With honest anguish, and an aching head; 40 "Nine years!" cried he, who, high in Drury Lane,9 Lulled by soft zephyrs through the broken pane, Rhymes ere he wakes, and prints before Term ends, 10 Obliged by hunger and request of friends: "The piece you think is incorrect? why take it; 45 At last he whispers, "Do; and we go snacks." Glad of a quarrel, straight I clap the door: "Sir, let me see your works and you no more." 109 One dedicates in high heroic prose, And ridicules beyond a hundred foes: One from all Grub Street14 will my fame defend, And, more abusive, calls himself my friend. This prints my letters, that expects a bribe, And others roar aloud, "Subscribe, subscribe!" There are who to my person pay their court: I cough like Horace, and, though lean, am short. 117 Ammon's great son15 one shoulder had too Why did I write? what sin to me unknown Dipped me in ink, my parents', or my own? 126 As yet a child, nor yet a fool to fame, I lisped in numbers, for the numbers came. 130 The muse but served to ease some friend, not wife, 133 To help me through this long disease, my life; Soft were my numbers; who could take offence 147 While pure description held the place of sense? Did some more sober critic come abroad- 157 Were others angry-I excused them too; 173 Well might they rage, I gave them but their due. A man's true merit 'tis not hard to find; 175 But each man's secret standard in his mind, 13 Bernard Lintot, a leading bookseller, whom Pope attacks in the Dunciad. 14 A street frequented by obscure authors. 15 Alexander the Great, who boasted that he was son of the Egyptian god Ammon. 16 Virgil. 197 True genius kindles, and fair fame inspires; "IN VAIN, IN VAIN" 205 210 17 i. e., Ambrose Philips (1675?-1749), a poet, and one of Pope's many enemies. 18 Nahum Tate (1652-1715), succeeded Shadwell' as poet laureate in 1692. 19 This concluding passage refers to Addison. 1 Pope made many enemies, and while the Dunciad, or epic of Dunces, is one of the most famous and brilliant of English satires, it is also a malicious and too often unworthy attack upon Pope's literary contemporaries. In the first three books (1728), the prize for dullness is given to Lewis Theobald, an early editor of Shakespeare, but in a fourth book, added in 1742, Pope's anger led him to depose Theobald and put Colley Cibber in his place. 640 As one by one, at dread Medea's strain, 635 645 In vain! they gaze, turn giddy, rave, and die. 650 For public Flame, nor private, dares to shine; Try what the open, what the covert yield; 10 16 Say first, of God above or man below, What can we reason but from what we know? Of man, what see we but his station here, From which to reason, or to which refer?" Through worlds unnumbered though the God be known, "Tis ours to trace Him only in our own. He, who through vast immensity can pierce, See worlds on worlds compose one universe, 20 1 The Essay on Man is a versified treatise in four Epistles, on the moral order of the world. The argument is supposed to have been supplied to Pope by his friend Lord Bolingbroke, to whom the work is addressed. And now a bubble burst, and now a world. 90 Hope humbly then; with trembling pinions soar; Wait the great teacher Death, and God adore. 95 Lo! the poor Indian, whose untutored mind Sees God in clouds, or hears him in the wind; 100 His soul proud science never taught to stray Far as the solar walk or milky way; Yet simple Nature to his hope has given, Behind the cloud-topped hill, an humbler heaven; Some safer world in depth of woods embraced, Some happier island in the watery waste. 106 Where slaves once more their native land behold, No fiends torment, no Christians thirst for gold. To be, contents his natural desire; 110 Go, wiser thou! and in thy scale of sense, Weigh thy opinion against Providence; Call imperfection what thou fanciest such, 115 Say, Here He gives too little, there too much! Destroy all creatures for thy sport or gust, Yet cry, If man's unhappy, God's unjust; If man alone engross not Heaven's high care, Alone made perfect here, immortal there: 120 Snatch from His hand the balance and the rod, Re-judge His justice, be the god of God. In pride, in reasoning pride, our error lies; All quit their sphere and rush into the skies! Pride still is aiming at the blest abodes, Men would be angels, angels would be gods. Aspiring to be gods if angels fell, Aspiring to be angels men rebel: And who but wishes to invert the laws Of order, sins against the Eternal Cause. 125 130 From pride, from pride our very reasoning springs; Account for moral, as for natural things: Why charge we Heaven in those, in these acquit? In both to reason right is to submit. Better for us, perhaps, it might appear, 165 170 To want the strength of bulls, the fur of bears. 2 Cæsar Borgia, son of Pope Alexander VI. a monster of wickedness. 3 A well-known conspirator. 185 He was Shall he alone, whom rational we call, 190 Is not to act or think beyond mankind; 195 200 If Nature thundered in his opening ears, The whispering zephyr and the purling rill! 213 Far as creation's ample range extends, The scale of sensual, mental powers ascends. Mark how it mounts to man's imperial race, From the green myriads in the peopled grass; What modes of sight betwixt each wide extreme, The mole's dim curtain, and the lynx's beam: Of smell, the headlong lioness between, And hound sagacious on the tainted green: Of hearing, from the life that fills the flood, 215 To that which warbles through the vernal wood! The spider's touch how exquisitely fine! Feels at each thread, and lives along the line: In the nice bee, what sense so subtly true From poisonous herbs extracts the healing dew? How instinct varies in the groveling swine, 221 Compared, half-reasoning elephant, with thine! "Twixt that and reason, what a nice barrier! Forever separate, yet for ever near! Remembrance and reflection, how allied; 225 What thin partitions sense from thought divide; And middle natures, how they long to join, Yet never pass the insuperable line! Without this just gradation, could they be Subjected, these to those, or all to thee? The powers of all subdued by thee alone, Is not thy reason all these powers in one? 230 See, through this air, this ocean, ard this earth, 235 All matter quick, and bursting into birth. 240 From Nature's chain whatever link you strike, Tenth or ten thousandth, breaks the chain alike. 247 And if each system in gradation roll Alike essential to the amazing whole, The least confusion but in one, not all That system only, but the whole must fall. 250 Let earth unbalanced from her orbit fly, Planets and suns run lawless through the sky; Let ruling angels from their spheres be hurled, Being on being wrecked, and world on world; Heaven's whole foundations to their center nod, And Nature tremble to the throne of God! 256 All this dread order break-for whom? for thee? Vile worm!-Oh! madness! pride! impiety! 260 What if the foot, ordained the dust to tread, Or hand, to toil, aspired to be the head? What if the head, the eye, or car repined To serve mere engines to the ruling mind? Just as absurd for any part to claim To be another in this general frame; Just as absurd to mourn the tasks or pains 265 The great directing Mind of all ordains. All are but parts of one stupendous whole, Whose body Nature is, and God the soul; That, changed through all, and yet in all the same, Great in the earth, as in the ethereal frame, 270 276 Who with his tongue hath armies routed, 5 They take the strongest praise on trust. 10 So very like a Painter drew, He lost his friends, his practice fail'd; The Painter look'd, he sketch'd the piece, Observe the work. My Lord replied, 15 20 20 25 30 35 40 45 Or in the natal, or the mortal hour. 50 All nature is but art unknown to thee; All chance, direction which thou cast not see; All discord, harmony not understood; "Oh! pardon me, (the artist cried) In this we Painters must decide. 291 All partial evil, universal good; The piece ev'n common eyes must strike, I warrant it extremely like." 55 And, spite of pride, in erring reason's spite, One truth is clear, Whatever is, is right. John Eay 1688-1732 FABLE XVIII THE PAINTER WHO PLEASED NOBODY AND EVERYBODY (From Fables, 1727) Lest men suspect your tale untrue, The traveller leaping o'er those bounds, 60 My Lord examin'd it a-new; No looking-glass seem'd half so true. A lady came, with borrow'd grace, He from his Venus form'd her face. Her lover prais'd the Painter's art; So like the picture in his heart! To every age some charm he lent; Ev'n beauties were almost content. Through all the town his art they prais'd; His custom grew, his price was rais'd. Had he the real likeness shown, Would any man the picture own? But when thus happily he wrought, Each found the likeness in his thought. 1 Busts. 65 |