Ay, if dynamite and revolver leave you courage to be wiseWhen was age so cramm'd with menace? mad ness? written, spoken lies? 85 Envy wears the mask of Love, and, laughing sober fact to scorn, Cries to weakest as to strongest, “Ye are equals, equal-born.” 110 Equal-born? O, yes, if yonder hill be level with the flat. Charm us, orator, till the lion look no larger than the cat, Till the cat thro' that mirage of overheated language loom Larger than the lion-Demos end in working its own doom. 115 Then, and here in Edward's' time, an age of noblest English names,5 Christian conquerors took and flung the con quer'd Christian into flames. Love your enemy, bless your haters, said the Greatest of the great; Christian love among the Churches look'd the twin of heathen hate. From the golden alms of Blessing man had coin'd himself a curse: Rome of Cæsar, Rome of Peter, which was crueller? which was worse? France had shown a light to all men, preach'd a Gospel, all men's good; Celtic Demos? rose a Demon, shriek'd and slaked the light with blood. 90 Hope was ever on her mountain, watching till the day begunCrown'd with sunlight-over darkness-from the still unrisen sun. Have we grown at last beyond the passions of the primal clan? “Kill your enemy, for you hate him," still, "your enemy" was a man. Have we sunk below them? peasants maim the helpless horse, and drive 95 Innocent cattle under thatch, and burn the kindlier brutes alive.: Brutes, the brutes are not your wrongers burnt at midnight, found at morn, Twisted hard in mortal agony with their offspring, born-unborn, Clinging to the silent mother! Are we devils? are we men? Sweet Saint Francis of Assisi, would that he were here again, He that in his Catholic wholeness used to call the very flowers Sisters, brothers and the beasts—whose pains are hardly less than ours! Chaos, Cosmos! Cosmos, Chaos! who can tell how all will end? Read the wide world's annals, you, and take their wisdom for your friend. Hope the best, but hold the Present fatal daughter of the Past, 105 Shape your heart to front the hour, but dream 100 Russia bursts our Indian barrier, shall we fight her? shall we yield? Pause! before you sound the trumpet, hear the voices from the field.9 Those three hundred millions under one Im perial sceptre now, Shall we hold them? shall we loose them? take the suffrage of the plow. Nay, but these would feel and follow Truth if only you and you, vals of realm-ruining party, when you speak were wholly true. 120 Plowmen, shepherds, have I found, and more than once, and still could find, Sons of God, and kings of men in utter noble ness of mind, Truthful, trustful, looking upward to the prac tised hustings-liar;10 So the higher wields the lower, while the lower is the higher. Here and there a cotter's babe is royal-born by right divine; 125 Here and there my lord is lower than his oxen or his swine. Chaos, Cosmos! Cosmos, Chaos! once again the sickening game; Freedom, free to slay herself, and dying while they shout her name. Step by step we gain'd a freedom known to Europe, known to all; Step by step we rose to greatness,-thro' the tonguesters we may fall. 130 You that woo the Voices—tell them “old ex perience is a fool,” Teach your flatter'd kings that only those who When the schemes and all the systems, kis not that the hour will last. + Edward III (1312-1377), a contemporary of Timur. "Here"=Europe, as distinguished from Asia. Chaucer, Wyclif, Langland, etc. 6 Probably the cruelties committed in the Peasant Revolt in France, as Tennyson refers to this later (p. 606, 1. 157, and n.), or possibly those practised by the Black Prince in the French War. Horrible deeds are recorded by Froissart in his account of the Jaquerie, e. g. Chron., Chap. CLXXXII and CLXXXIV. 7i. e. the French populace. Demos is the Greek word for the masses, the common people. The reference is to the French Revolution and the Gospel," then preached, of "Liberty, Equality, and Fraternity." 8 An allusion to recent disturbances in Ireland. cannot read can rule. øj. e. of those who work in the fields, or the laboring classes. 10 Hustings, the platform from which a political orator addresses the people at a Parliamentary election. doms and republics fall, Something kindlier, higher, holier-all for et and each for all? 135 All the full-brain, half-brain races, led by : tice, Love and Truth; All the millions one at length with all the risus of my youth? All diseases quench'd by Science, no man be or deaf, or blind; Stronger ever born of weaker, lustier bort larger mind? 140 Earth at last a warless world, a single ruce single tongueI have seen her far away-for is not Earth a yet so young? Every tiger madness muzzled, every serps*** passion killid, Every grim ravine a garden, every blos desert till’d, Robed in universal harvest up to either pa she smiles, Universal ocean softly washing all her wirke isles. 145 Pluck the mighty from their seat, but set no meek ones in their place;"1 Pillory Wisdom in your markets, pelt your offal at her face. Tumble Nature heel o'er head, and, yelling with the yelling street, Set the feet above the brain and swear the brain is in the feet. Bring the old dark ages back without the faith, without the hope, Break the State, the Church, the Throne, and roll their ruins down the slope. Authors-essayist, atheist, novelist, realist, rhymester, play your part, Paint the mortal shame of nature with the living hues of art. Rip your brothers' vices open, strip your own foul passions bare; Down with Reticence, down with Reverence forward-naked-let them stare. Feed the budding rose of boyhood with the drainage of your sewer; Send the drain into the fountain, lest the stream should issue pure. Set the maiden fancies wallowing in the troughs of Zolaism,–12 Forward, forward, ay, and backward, down ward too into the abysm! Do your best to charm the worst, to lower the rising race of men; Have we risen from out the beast, then back into the beast again? Only “dust to dust” for me that sicken at your lawless din, Dust in wholesome old-world dust before the newer world begin. 150 Heated am I? you--you wonder-well, it scarce becomes mine agePatience! let the dying actor mouth his last upon the stage. Cries of unprogressive dotage ere the dotard fall asleep? Noises of a current narrowing, not the music of a deep? Ay, for doubtless I am old, and think gray thoughts, for I am gray; After all the stormy changes shall we find a changeless May? After madness, after massacre, Jacobinism and Jacquerie, Some diviner force to guide us thro' the days I shall not see? 11 V. St. Luke, i. 52. 12 i. e. the works (or certain notorious works) of Emile Zola, 1810-1902, the French novelist. 13 j. e. after terrible uprisings of the masses against or. ganized authority; uprising, as violent, or as lawless, as that of the Jacobins in the French Revolution of 1789 or of the Jaquerie, the revolt of the peasants against the French nobles in 1358. Warless? when her tens are thousands, and br thousands millions, thenAll her harvest all too narrow-who can facom warless men? Warless? war will die out late then. I: ever? late or soon? Can it, till this outworn earth be dead as y dead world the moon? 155 Dead the new astronomy calls her.On. day and at this hour, In this gap between the sandhills, whence ve see the Locksley tower, Here we met, our latest mceting-Amy-sitt years ago She and I-the moon was falling greenish ter a rosy glow, Just above the gateway tower, and even when you see her nowHere we stood and claspt each other, swore the seeming-deathless vow.Dead, but how her living glory lights the ha the dune, the grass! Yet the moonlight is the sunlight, and the sc himself will pass. Venus near her! smiling downward at the earthlier earth of ours, Closer on the sun, perhaps a world of never faut ing flowers. 13 Is it well that while we range with Science, glorying in the Time, City children soak and blacken soul and sense in city slime? 200 225 'orward, backward, backward, forward, in the immeasurable sea, way'd by vaster ebbs and flows than can be known to you or me. ll the suns--are these but symbols of innumerable man, 195 Tan or Mind that sees a shadow of the planner or the plan? s there evil but on earth? or pain in every peopled sphere? Vell, be grateful for the sounding watchword "Evolution” here, volution ever climbing after some ideal good, ind Reversion ever dragging Evolution in the mud. Vhat are men that He should heed us? cried the king of sacred song;15 nsects of an hour, that hourly work their brother insect wrong. Vhile the silent heavens roll, and suns along their fiery way, ll their planets whirling round them, flash a million miles a day. lany an aeon moulded earth before her highest, man, was born, 205 lany an aeon too may pass when earth is man less and forlorn. larth so huge, and yet so bounded-pools of salt, and plots of landhallow skin of green and azure-chains of mountain, grains of sand! Only That which made us meant us to be might ier by and by, let the sphere of all the boundless heavens within the human eye, *The Greek poetess Sappho.. Cf. Song to the Evening lar, p. 505, and Don Juan, p. 518, Stan. CVII. 15 David; v. Psalms, viii. 4. Nay, your pardon, cry your "Forward,” yours are hope and youth, but IEighty winters leave the dog too lame to fol low with the cry, Lame and old, and past his time, and passing now into the night; Yet I would the rising race were half as eager for the light. Light the fading gleam of even? light the glim mer of the dawn? Aged eyes may take the growing glimmer for the gleam withdrawn. 230 Far away beyond her myriad coming changes earth will be Something other than the wildest modern guess of you and me. Earth may reach her earthly-worst, or if she gain her earthly-best, Would she find her human offspring this ideal man at rest? 210 Then a peal that shakes the portal-002 come to claim his bride, Her that shrank, and put me from her, shoti and started from my side Silent echoes! You, my Leonard, use and 1 abuse your day, Move among your people, know them, fur him who led the way, Strove for sixty widow'd years to be is homelier brother men, Served the poor, and built the cottage, i the school, and drain’d the fen. Hears he now the voice that wrong'd him's shall swear it cannot be? Earth would never touch her worst, vesti in fifty such as he Ere she gain her heavenly-best, a Gol mingle with the game, Nay, there may be those about us wboo neither see nor name, Felt within us as ourselves, the Powers of Grey the Powers of Ill, Strowing balm or shedding poison in the lo ! tains of the will. Follow you the star that lights a desert font way, yours or mine, Forward, till you see the Highest Humans ture is divine. Follow Light, and do the Right-for mais half-control his doomTill you find the deathless Angel seated in vacant tomb. Forward, let the stormy moment fly and mic with the past. I that loathed have come to love him. I will conquer at the last. Gone at eighty, mine own age, and I and you will bear the pall; Then I leave thee lord and master, latest i" of Locksley Hall. THE THROSTLE (Included in Demeter and Other Poems, "Summer is coming, summer is coming. I know it, I know it, I know it. Yes, my wild little Poet. Last year you sang it as gladly. “New, new, new, new!” Is it then so Dex That you should carol so madly? “Love again, song again, nest again, F. again," Never a prophet so crazy! And hardly a daisy as yet, little friend, See, there is hardly a daisy. 260 . Here to-night! the Hall to-morrow, when they toll the chapel bell! Shall I hear in one dark room a wailing, “I have loved thee well?” Who gave me the goods that went since? Chorus MY LAST DUCHESS" FERRARA (From Dramatic Lyrics, 1842) That's my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now; Frà Pandolf's hand Worked busily a day, and there she stands. 1 The Duke in this poem, like Browning's Bishop who ordered “his tomb at St. Praxed's Church." is a characteristic product of the Italy of the Renaissance. He exemplifies Browning's favorite doctrine that we are not saved by taste, and that a fine appreciation of art and letters is by no means incompatible with a small, ignoble, and worldly nature. 2 An imaginary artist, as is Claus of Innsbruck. 10 |