 ... as either is regarded apart from the other. It is rather the art of representing light in shadow and shadow in light, so that the parts represented in shadow shall still CHIASTOL1TE CHICAGO 171 have the clearness and warmth of those in light, and...  Rare Days in Japan - Page 30by George Trumbull Ladd - 1910 - 341 pagesFull view - About this book
 | Chambers W. and R., ltd - 1871 - 270 pages
...art of representing light in shadow and shadow in light, so that the parts in shadow shall still have the clearness and warmth of those in light, and those...in light the depth and softness of those in shadow. One of the most admired small pictures in the world is Correggio's ' Penitent Magdalen,' well known... | |
 | William Chambers, Robert Chambers - Anthologies - 1871 - 530 pages
...art of representing light in shadow and shadow in light, so that the parts in shadow shall still have the clearness and warmth of those in light, and those...in light the depth and softness of those in shadow. One of the most admired small pictures in the world is Correggio's ' Penitent Magdalen/ well known... | |
 | Encyclopedias and dictionaries - 1879 - 876 pages
...representing tinht in shadow andshadote ra light, so that the parts represented in shadow shall still have the clearness and warmth of those in light, and those...in light the depth and softness of those in shadow. It is not the ivutking of the one Hie softly and gradually away into the other, but the preservation... | |
 | 1889 - 846 pages
...so that thé parts represented in shadow shall still 172 CHIASTOLITE CHICAGO have the clearness anil warmth of those in light, and those in light the depth and softne.«s of those in shadow. It is not the making of the one die softly and gradually away into the... | |
 | Encyclopedias and dictionaries - 1890 - 870 pages
...and shadow in light, BO that the parts represented in shadow shall still 172 CHIASTOLITE CHICAGO have the clearness and warmth of those in light, and those...in light the depth and softness of those in shadow. It is not the making of the one die softly and gradually away into the other, but the preservation... | |
 | 1891 - 878 pages
...and shadow in light, so that the parts represented in shadow shall still 172 CHIASTOLITE CHICAGO have the clearness and warmth of those in light, and those...in light the depth and softness of those in shadow. It is not the making of the one die softly and gradually away into the other, but the preservation... | |
 | Encyclopedias and dictionaries - 1896 - 846 pages
...and shadow in light, so that the parts represented in shadow shall still 172 CHIASTOLITE CHICAGO have the clearness and warmth of those in light, and those in light the deptli and softness of those in shadow. It is not the making of the one die softly and gradually away... | |
 | Encyclopedias and dictionaries - 1897 - 878 pages
...representing light in shadow and shadow in light, so that the parts represented in shade w shall still have the clearness and •warmth of those in light, and...in light the depth and softness of those in shadow. It is not the making of the one die softly and gradually away into the other, but the preservation... | |
 | John Clark Ridpath - 1897 - 500 pages
...liffftt in яЛл/ow and shadow in light, so that the parts represented in shadow shall still have the clearness and warmth of those in light, and those...in light the depth and softness of those in shadow. It is not the making of the one melt away into the other, but the preservation of both in combination,... | |
 | 1901 - 928 pages
...that the parts represented in shadow shall still have the clearness and warmth of those in ligimt, and those in light the depth and softness of those in shadow. It is not the making of the one die softly and gradually away into the other, but the preservation... | |
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