Russians on Russian Music, 1880–1917: An Anthology (Google eBook)
Cambridge University Press, Aug 14, 2003 - Music - 267 pages
This second anthology of Russian writing on Russian music begins in 1880 (where the first volume concluded) and ends in 1917. It brings the thoughts of leading Russian music critics to an English-speaking readership as they react to the Russian music that is new to them, during a period when all aspects of musical life were developing rapidly. Music criticism had become more sure-footed, if no less opinionated. These reviews demonstrate greater awareness both of music history and of contemporary music abroad. The period covers the late careers of Tchaikovsky and Rimsky-Korsakov as well as late works by Borodin and Balakirev, and the emergence of Mussorgsky's compositions. Works by the intervening generation, including Arensky, Glazunov and Lyadov, are also reviewed and the book concludes with coverage of works by the Moscow School, including Medtner, Rachmaninoff and Skryabin and the early compositions of Stravinsky and Prokoviev.
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Allegro Andante artistic Author’s note Balakirev bars beautiful Borodin captivating character Chopin chords chorus chromatic chromaticism church music colours combinations completely composer’s compositions concert Conservatoire contrapuntal counterpoint creative dance Dodon duet element Enchantress Engel episode everything expression feeling Fevroniya final folksong gives Glazunov Glinka Golden Cockerel Grishka harmony ideas Igor Igor’s impression inspiration instrumental Karatıgin Kashchey Khovanshchina kind Kitezh Korsakov Laroche libretto listener Liszt Lyadov lyrical major Manfred Medtner melody mood Moscow movement musical drama musicians Musorgsky Myaskovsky nature ofthe one’s opera orchestral original passion performed Petrushka phrase piano pieces Poem poetic Polovtsian Prince programme programme music Prokofiev Pushkin quartet Rachmaninoff rhythm Rimsky-Korsakov Russian composers Russian music Russian School Sadko scene Scherzo Schumann Shemakha significant singing Skryabin Snowmaiden Sonata song soul sound spirit St Petersburg stage Stravinsky style Symphony talent Taneyev Tchaikovsky thematic theme thing tion voices Wagner whole words