Towards a 'Natural' NarratologyIn this ground breaking work of synthesis, Monika Fludernik combines insights from literary theory and linguistics to provide a challenging new theory of narrative. |
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... drama excluded), cannot be equated withthe categoryin Chatman's definition(1978, 1990) since, in contrast toChatman, I excludesome traditional forms of narrative,andIemphatically refuse to locate narrativityinthe existence ofanarrator ...
... drama excluded), cannot be equated withthe categoryin Chatman's definition(1978, 1990) since, in contrast toChatman, I excludesome traditional forms of narrative,andIemphatically refuse to locate narrativityinthe existence ofanarrator ...
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... drama and film). These additional alternatives appear to derive from, or correlate with, another natural parameter, that of visual experience, or, one can alsosay,perception and observation.Whereas in reflector mode narrativeswe ...
... drama and film). These additional alternatives appear to derive from, or correlate with, another natural parameter, that of visual experience, or, one can alsosay,perception and observation.Whereas in reflector mode narrativeswe ...
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andthe anecdote Aphra Behn asthe authorial Behn Behn's bythe canbe Chapter characterization characters clauses cognitive frames cognitive parameters concept consciousness constitutes conversational deictic deixis discourse markers discussion drama écriture féminine English episode evaluative exemplum experience experientiality fiction figure first firstperson Fludernik focalization frame free indirect discourse fromthe function Genette genre heterodiegetic historical human ibid incipit instance interpretation inthe jokes language linguistic literary literature London Middle English Mimesis mimetic More's narrativization Narratology narrator narrator's natural narrative Natural Narratology natural parameters novel observer ofnarrative ofthe ofthis onthe oral Oroonoko paragraph passage pattern person perspective plot Poetics poetry postmodernist present tense pronouns prose protagonist reader reading realistic recuperation reflectorization reflectormode relation representation scene schema schemata secondperson sequences situation Stanzel story storytelling strategies structure suchas syntactic teleology teller temporal texts textual thematic thenarrative thestory thirdperson tobe tothe traditional University Press withthe writing