Sociological Poetics And Aesthetic Theory |
Contents
| 3 | |
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Art and the Social | 77 |
Art as Ideology | 84 |
Historical Poetics | 99 |
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Common terms and phrases
active Adorno aesthetic form aesthetic theory aesthetic value alienation analysis argued art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht's capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements embody emphasis Engels epic theatre everyday expression external fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hermeneutics human ideology immanent individual interpretation Kafka language Leavis linguistic literary form Lukács Lukács's Marcuse Marx Marxist Marxist aesthetic material meaning Menippean satire modern modernist modes Mukarovsky narrative nature nineteenth-century noblesse de robe notion novel object organisation philosophical Plekhanov political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation role Russian Formalism Russian Formalists significant Simmel social and historical social group society socio socio-historical sociological poetics sociological positivism specific structuralist structure style stylistic tion totality tradition Trotsky unity whole world view writers