Sociological Poetics And Aesthetic Theory |
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Page v
... PART II ELEMENTS OF SOCIOLOGICAL POETICS Introduction : Art and the Social 3. Ideology and Cultural Production The Concept of Production 79 79 28 Production Aesthetics : Aesthetic Autonomy and the Concept of Aura Contents.
... PART II ELEMENTS OF SOCIOLOGICAL POETICS Introduction : Art and the Social 3. Ideology and Cultural Production The Concept of Production 79 79 28 Production Aesthetics : Aesthetic Autonomy and the Concept of Aura Contents.
Page vi
Alan Swingewood, Christopher D. Ward. Production Aesthetics : Aesthetic Autonomy and the Concept of Aura Epic Theatre : Art as Ideology Production Aesthetics : Critical Observations Ideology and Art Decentred Text and Ideology 80 84 87 ...
Alan Swingewood, Christopher D. Ward. Production Aesthetics : Aesthetic Autonomy and the Concept of Aura Epic Theatre : Art as Ideology Production Aesthetics : Critical Observations Ideology and Art Decentred Text and Ideology 80 84 87 ...
Page 3
... autonomous aesthetic form to the level of another , external order : the specificity of aesthetic form is effectively translated into the general categories of its social context . This is not to deny sociology a role in the study of ...
... autonomous aesthetic form to the level of another , external order : the specificity of aesthetic form is effectively translated into the general categories of its social context . This is not to deny sociology a role in the study of ...
Page 5
... autonomous created form , historically conditioned but shaping its own history , not determined by an external process ' . Frye develops a series of categories , such as the relation of hero to the world of the reader and to nature ...
... autonomous created form , historically conditioned but shaping its own history , not determined by an external process ' . Frye develops a series of categories , such as the relation of hero to the world of the reader and to nature ...
Page 10
... autonomous and largely self - determined realm , no longer the passive reflection or product of a given external reality or process . Such a dramatic shift in emphasis from positi- vistic , mechanistic materialism to cultural ...
... autonomous and largely self - determined realm , no longer the passive reflection or product of a given external reality or process . Such a dramatic shift in emphasis from positi- vistic , mechanistic materialism to cultural ...
Contents
3 | |
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Art and the Social | 77 |
Art as Ideology | 84 |
Historical Poetics | 99 |
Genre and Popular Culture | 106 |
Hegemony | 113 |
Sociological Stylistics | 119 |
Modernism the AvantGarde and Everyday Life | 131 |
Aesthetics and Politics | 150 |
Index | 161 |
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Common terms and phrases
active Adorno aesthetic form aesthetic theory aesthetic value alienation analysis argued art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht's capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements embody emphasis Engels epic theatre everyday expression external fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hermeneutics human ideology immanent individual interpretation Kafka language Leavis linguistic literary form Lukács Lukács's Marcuse Marx Marxist Marxist aesthetic material meaning Menippean satire modern modernist modes Mukarovsky narrative nature nineteenth-century noblesse de robe notion novel object organisation philosophical Plekhanov political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation role Russian Formalism Russian Formalists significant Simmel social and historical social group society socio socio-historical sociological poetics sociological positivism specific structuralist structure style stylistic tion totality tradition Trotsky unity whole world view writers