S/HE"In these lyrical vignettes, Pratt expands the boundaries of gender and its theory. She explores the inconsistencies, the infinities, the fluidity of sex and gender, and asks intriguing questions: How many ways are there to be girl, boy, man, woman? Is there a connection between feminine, masculine, lesbian, heterosexual, between desire and liberation? How many ways can the body's sex vary---by chromosomes, hormones, genitals? How many ways can our gender expressions multiply---between home and work, at the computer and when we kiss someone, in our dreams and when we walk down the street? What is our dream of who we want to be? Pratt's stories are part of new theory appearing at the intersections---of the feminism of U.S. women's liberation, the writings of women of color in the U.S. and internationally, the queer ideas of lesbian and gay liberation, and the emerging thought of transgender liberation. S/HE helps move these ideas into action by giving us theory that has flesh and breath, that exists in all of our eccentric, complicated, daily lives."--BOOK JACKET. |
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Page 52
... pull open the door . In this fantasy , she is not like a man who ostentatiously opens a battle of wills over who controls going in and coming out . And she certainly does not re- semble a man who reaches out to repeat , by habit , a ...
... pull open the door . In this fantasy , she is not like a man who ostentatiously opens a battle of wills over who controls going in and coming out . And she certainly does not re- semble a man who reaches out to repeat , by habit , a ...
Page 66
... in the heat . You pull me into the hard circle of your arm and say , “ Baby , no one knows about the second exit except someone from the old days . " DRAG BAR ou wonder what I was doing those years 66 MINNIE BRUCE PRATT.
... in the heat . You pull me into the hard circle of your arm and say , “ Baby , no one knows about the second exit except someone from the old days . " DRAG BAR ou wonder what I was doing those years 66 MINNIE BRUCE PRATT.
Page 148
... pull at you to get out of there . You jerk your hand away sternly , tell me , " No , " as the man's apologetic friend drags him off . Across the street , I begin to cry . Too many memories of harassment when I was afraid and didn't know ...
... pull at you to get out of there . You jerk your hand away sternly , tell me , " No , " as the man's apologetic friend drags him off . Across the street , I begin to cry . Too many memories of harassment when I was afraid and didn't know ...
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African-American arms begin Beth Brant body breasts butch and femme butch lesbian Camp Trans clit clothes cock cunt dance dark desire dildo door Doris Day drag queen dream dress dyke Dykes To Watch edge eyes face father fear feel feet female feminine feminist femme fingers fucking gender expression girl girlfriend hair hands head heat heterosexual hips hold honey husband inside jeans joke kiss kitchen Later laugh lean legs lives look lover male married masculine MINNIE BRUCE PRATT mouth movie naked never night Novel oxford shirt palace of truth penis pink Poetry pull queer rape rock S/HE sex and gender sexual shirt skin skirt slide smiling someone stared story street summer talk tell thighs touch town transgendered transsexual turn waiting walk watch wear white woman womanhood women word