S/HE"In these lyrical vignettes, Pratt expands the boundaries of gender and its theory. She explores the inconsistencies, the infinities, the fluidity of sex and gender, and asks intriguing questions: How many ways are there to be girl, boy, man, woman? Is there a connection between feminine, masculine, lesbian, heterosexual, between desire and liberation? How many ways can the body's sex vary---by chromosomes, hormones, genitals? How many ways can our gender expressions multiply---between home and work, at the computer and when we kiss someone, in our dreams and when we walk down the street? What is our dream of who we want to be? Pratt's stories are part of new theory appearing at the intersections---of the feminism of U.S. women's liberation, the writings of women of color in the U.S. and internationally, the queer ideas of lesbian and gay liberation, and the emerging thought of transgender liberation. S/HE helps move these ideas into action by giving us theory that has flesh and breath, that exists in all of our eccentric, complicated, daily lives."--BOOK JACKET. |
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Page 127
... watch me on the edge of something dangerous , talking to a strange boy , in the spill of light from the street lamp . Junebugs skid through the air and thud into us . Doris Day's poster face , virginal and blonde , smiles secretively at ...
... watch me on the edge of something dangerous , talking to a strange boy , in the spill of light from the street lamp . Junebugs skid through the air and thud into us . Doris Day's poster face , virginal and blonde , smiles secretively at ...
Page 143
... dams spit electricity . Now when we are alone , when we are where others watch , I show you with the arc of my neck , the bend of my arm , a hint of where I can take us and with what velocity . GREED S arms , he is the last in line.
... dams spit electricity . Now when we are alone , when we are where others watch , I show you with the arc of my neck , the bend of my arm , a hint of where I can take us and with what velocity . GREED S arms , he is the last in line.
Page 189
... watch the other travelers , uneasy , trying to place us as man , woman , into some opposition . Uneasy , we watch the travelers , trying to place them as danger , ally . On the train , a woman walks through the cars singing a song about ...
... watch the other travelers , uneasy , trying to place us as man , woman , into some opposition . Uneasy , we watch the travelers , trying to place them as danger , ally . On the train , a woman walks through the cars singing a song about ...
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African-American arms begin Beth Brant body breasts butch and femme butch lesbian Camp Trans clit clothes cock cunt dance dark desire dildo door Doris Day drag queen dream dress dyke Dykes To Watch edge eyes face father fear feel feet female feminine feminist femme fingers fucking gender expression girl girlfriend hair hands head heat heterosexual hips hold honey husband inside jeans joke kiss kitchen Later laugh lean legs lives look lover male married masculine MINNIE BRUCE PRATT mouth movie naked never night Novel oxford shirt palace of truth penis pink Poetry pull queer rape rock S/HE sex and gender sexual shirt skin skirt slide smiling someone stared story street summer talk tell thighs touch town transgendered transsexual turn waiting walk watch wear white woman womanhood women word