Poetry and Possibility |
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Page 9
... Chaos to Hell is even more equivocal According to the spatial scheme of the poem they are separate domains , the one placed beneath the other , yet from the beginning certain terms used in their description seem deliberately to confuse ...
... Chaos to Hell is even more equivocal According to the spatial scheme of the poem they are separate domains , the one placed beneath the other , yet from the beginning certain terms used in their description seem deliberately to confuse ...
Page 13
... Chaos where he must go by replacing the nouns that on anticipates in the expressions ' the palpable obscure ' and ' the vas abrupt ' by further adjectives . ) Satan's first actual view of Chaos is o a dark Illimitable ocean without ...
... Chaos where he must go by replacing the nouns that on anticipates in the expressions ' the palpable obscure ' and ' the vas abrupt ' by further adjectives . ) Satan's first actual view of Chaos is o a dark Illimitable ocean without ...
Page 14
... Chaos , but he cann rely , like God , on not being engulfed in them . Like Satan , he ha reason to fear , in that strangely physical place , a metaphysica annihilation , a ' loss of being ' . One probably knows little of this terro of ...
... Chaos , but he cann rely , like God , on not being engulfed in them . Like Satan , he ha reason to fear , in that strangely physical place , a metaphysica annihilation , a ' loss of being ' . One probably knows little of this terro of ...
Contents
Writing Paradise Lost | 1 |
La Fontaine and the Subversion of Poetry | 22 |
A Meaning for MockHeroic | 32 |
Copyright | |
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Aeneid Arrurruz become body Boileau Bonnefoy's Book breath Chaos Charles Tomlinson Christ Christian colour darkness death describes divine Douve earth El Greco Emma epic Essay experience fact Fall fallen world fire Fontaine ghost ghost world Hardy Hardy's heaven Hell Hill hint Hopkins human hymns imagination inscape inspiration invisible kind La Fontaine language leurre leurre du seuil light lines looks Lutrin M. H. Abrams Marianne Moore meaning Mercian Hymns metaphor Milton mock-heroic moreover move Muse mystery Nature objects opening Paradise Lost passage periphrasis perspective phrase poem poem's poet poetics Poetry and Possibility Pope Pope's Prelude present reader reading realise reality recalls recreation recreative reference reflection relation renewal salamander Satan seems sense sequence Spirit stanza stress suggests surely Tha language things thought transcendence transfigured transformed true expression verse wind word wordplay Wordsworth writing Yves Bonnefoy